a pad-like choir and an oriental vocal plays with many voices in different vocal ranges.
This appears to be a minor scale, or it could be an oriental scale.
It sounds haunting & serious.
Then a beat starts around 1:19
This is very unique, cleanly mixed electronica.
Again, Hong's phenomenal style of audiocutting in the bass to allow clearer HD standard definition of notational changes, along with kick drum unique goodness and exceptional variety.
A piano part at 2:29 makes this song jump to an even higher level.
This part is less rhythmically intense than before, but it is extremely dynamic and beautiful.
What a contrast to the previous section!
Now we are back to the more intense rhythmic section with bass slides and complex notation and tremendous drumming.
One thing about Hong's music is there never seems to be any form of copy & paste.
EVERYTHING happens organically.
This is an amazing track, 10/10.
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